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INDEX

IN CONVERSATION WITH BORIS LURIE, Published in: neue bildende Kunst, Zeitschrift für Kunst und Kritik, Nr. 1/95, Berlin 1995

It is extremely difficult to produce a kind of art that history will pass over in silence, that the art magazines will dismiss, that will embarrass collectors and be offensive to most other artists. The Lurie-Goodman-Fisher activities in the March Gallery and later in the Gertrude Stein Gallery succeeded in achieving this large negative.” (Brian O’Doherty, 1971). In the 60s founders of NO!art Boris Lurie, Sam Goodman and Stanley Fisher developed a provocative alternative to the “optimism of the cheerful Pop production” (Wolf Vostell) by radically performing SHIT SHOW 1964 at March Gallery, New York and at the Gertrude Stein Gallery later. A today really ignored chapter of American art has arisen after the experience with the Holocaust and the disgust concerning the affirmative practice of art, a “strategic juncture where artistic production meets socio-cultural action.” more

IN CONVERSATION WITH ALDO TAMBELLINI, Videodocumentary, Cambridge 2010

Aldo speaks about Lower East Side + Rental Prices + March Gallery + Boris Lurie + NO!art + Political Art + Sam Goodman + Stanley Fisher + Jean-Jacques Lebel + Shit Show + Stock Exchange + NO!art antholgy + Screw Performance + Political Poetry + Black and White Films + NO!box + Howl Festival + Poets Against Killing Fields + Reads One Of His Poems... more

IN CONVERSATION WITH CHARLES REHWINKEL, Videodocumentary, New York 2014

We spoke about Boris Lurie as artist and money hunter, his Stuetzpunkt Foundation and his Last Will, about Gertrude Stein as a watch dog in the hospital when Boris Lurie died, Gertrude's Boris Lurie Art Foundation, and so on ... more

FRANZISKA BECHER IM GESPRÄCH MIT DIETMAR KIRVES ZUR NO!art, NO!art Headquarters Berlin | 11-19-2010

Franziska Becher: Welche Rolle spielten Sie in der NO!art? | Dietmar Kirves: Ja, wenn man von Rollen redet, denkt man eigentlich an Theater. Jedoch die NO!art ist kein Theater. NO!art ist Realität. Ich habe die NO!art wieder an die Öffentlichkeit gebracht, weil sie längere Zeit über New York hinaus keine Beachtung fand. Ich habe Boris Luries Arbeiten 1978 über Armin Hundertmark in Berlin vermittelt bekommen. Mit Armin Hundertmark hatte ich schon 1969 Kontakt. Er verlegte damals neben seiner Tätigkeit als Friedhofsgärtner kleinere Editionen mit Joseph Beuys, den ich persönlich kannte. Boris hatte Armin 1974 auf Grund einer Initiative von Wolf Vostell in einem Jutesack ein Konvolut mit NO!art-Dokumenten zur Veröffentlichung geschickt. Diesen Sack fand ich 1978 in Armin Hundertmarks Kleiderschrank in der Berliner Kleingartenkolonie Kleeblatt. more in German

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